Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
Drawing on AimÉ CÉsaire’s rewriting of Shakespeare’s The Tempest, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean.
Drawing on AimÉ CÉsaire’s rewriting of Shakespeare’s The Tempest, Erica Moiah James examines the rise of global Caribbean artists in the 1990s and their production of a decolonized art history for the Caribbean.
Über den Autor
Erica Moiah James is Associate Professor in the Department of Art and Art History at the University of Miami and Non-Resident Senior Research Fellow at the Visual Identities in Art and Design Research Centre, University of Johannesburg.
Inhaltsverzeichnis
Acknowledgments vii
Introduction. “Wat Wrong wit Dis Place?” 1
1. From Behind God’s Back: Janine Antoni’s Embodied Histories 37
2. Meeting in the Upper Room: Belkis AyÓn’s La Cena, 1988–1993 77
3. Historical Drag: Genre, Violence, and History in Edouard Duval-CarriÉ’s Mardigras at Fort Dimanche, 1992 121
4. The Caribbean Does Not Exist: Maurizio Cattelan’s 6th Caribbean Biennial, 1999 163
5. “Wrong Way” Lenny, Tempests, and Other DÈtournements 205
Notes 223
Bibliography 259
Index
Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478032137
ISBN-10: 1478032138
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: James, Erica Moiah
Hersteller: Duke University Press
Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk
Maße: 224 x 148 x 16 mm
Von/Mit: Erica Moiah James
Erscheinungsdatum: 24.10.2025
Gewicht: 0,59 kg
Artikel-ID: 134099760