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Beschreibung
It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.
It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.
Inhaltsverzeichnis
Acknowledgement; Contributors; 1. Introduction Allan F. Moore; 2. Popular music analysis: ten apothegms and four instances Robert Walser; 3. From lyric to anti-lyric: analysing the words in pop songs Dai Griffiths; 4. The sound is 'out there': score, sound design and exoticism in The X-Files Robynn J. Stilwell; 5. Feel the beat come down: house music as rhetoric Stan Hawkins; 6. The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness' Rob Bowman; 7. Marxist music analysis without Adorno: popular music and urban geography Adam Krims; 8. Jethro Tull and the case for modernism in mass culture Allan F. Moore; 9. Pangs of history in late 1970s new-wave rock John Covach; 10. Is anybody listening? Chris Kennett; 11. Talk and text: popular music and ethnomusicology Martin Stokes; Bibliography; Discography; Film/Videography; Index.
Details
Erscheinungsjahr: 2008
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
ISBN-13: 9780521100359
ISBN-10: 0521100356
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Moore, Allan F.
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 17 mm
Von/Mit: Allan F. Moore
Erscheinungsdatum: 20.09.2008
Gewicht: 0,471 kg
Artikel-ID: 101710441

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