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Beschreibung
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Über den Autor
Naomi André is an associate professor in the departments of African and Afroamerican Studies and Women's Studies. She also is associate director in the Residential College at the University of Michigan. She is the author of Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera and coeditor of Blackness in Opera.
Inhaltsverzeichnis
Title
Copyright
Contents
Acknowledgments
1Engaged Opera
2Black Opera across the Atlantic: Writing Black Music History and Opera's Unusual Place
3Haunted Legacies: Interracial Secrets From the Diary of Sally Hemings
4Contextualizing Race and Gender in Gershwin's Porgy and Bess
5Carmen: From Nineteenth-Century France to Settings in the United States and South Africa in the
6Winnie, Opera, and South African Artistic Nationhood
Conclusion: Engaged Musicology, Political Action, and Social Justice
Notes
Bibliography
Index
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| ISBN-13: | 9780252083570 |
| ISBN-10: | 0252083571 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Andre, Naomi |
| Hersteller: | University of Illinois Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 228 x 151 x 25 mm |
| Von/Mit: | Naomi Andre |
| Erscheinungsdatum: | 04.05.2018 |
| Gewicht: | 0,475 kg |