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2022 at the Georg-August-Universität Göttingen. The aim was to examine the colonial
dimensions of the global wildlife trade in the first half of the 20th century, and
its connections to other forms of trade, e.g., with human remains, animal material
or ethnographic objects. In particular, the papers scrutinise the legacy of this
trade - in the regions of origin, but also in European and North American
institutions. The conference and the volume are linked to the project "The global
networks of the animal trading companies Reiche and Ruhe - provenance research on
the circulation of animals, humans and objects in the 19th and 20th centuries¿,
which is based at the Chair of Modern History at the University of Göttingen and is
funded by the German Lost Art Foundation. It is conducted in cooperation with the
Municipal Museum of Alfeld and the Network for Provenance Research in Lower
Saxony.
2022 at the Georg-August-Universität Göttingen. The aim was to examine the colonial
dimensions of the global wildlife trade in the first half of the 20th century, and
its connections to other forms of trade, e.g., with human remains, animal material
or ethnographic objects. In particular, the papers scrutinise the legacy of this
trade - in the regions of origin, but also in European and North American
institutions. The conference and the volume are linked to the project "The global
networks of the animal trading companies Reiche and Ruhe - provenance research on
the circulation of animals, humans and objects in the 19th and 20th centuries¿,
which is based at the Chair of Modern History at the University of Göttingen and is
funded by the German Lost Art Foundation. It is conducted in cooperation with the
Municipal Museum of Alfeld and the Network for Provenance Research in Lower
Saxony.
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Reihe: | Veröffentlichungen des Netzwerks Provenienzforschung in Niedersachsen 6 |
| ISBN-13: | 9783985012633 |
| ISBN-10: | 3985012636 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Andratschke, Claudia
Hoes, Charlotte Marlene Krieger, Annekathrin |
| Hersteller: |
arthistoricum.net
Veröffentlichungen des Netzwerks Provenienzforschung in Niedersachsen 6 |
| Verantwortliche Person für die EU: | Arthistoricum.net, Plöck 107-109, D-69117 Heidelberg, heiup-orders@ub.uni-heidelberg.de |
| Maße: | 210 x 148 x 18 mm |
| Von/Mit: | Claudia Andratschke (u. a.) |
| Erscheinungsdatum: | 03.07.2024 |
| Gewicht: | 0,518 kg |
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Reihe: | Veröffentlichungen des Netzwerks Provenienzforschung in Niedersachsen 6 |
| ISBN-13: | 9783985012633 |
| ISBN-10: | 3985012636 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Andratschke, Claudia
Hoes, Charlotte Marlene Krieger, Annekathrin |
| Hersteller: |
arthistoricum.net
Veröffentlichungen des Netzwerks Provenienzforschung in Niedersachsen 6 |
| Verantwortliche Person für die EU: | Arthistoricum.net, Plöck 107-109, D-69117 Heidelberg, heiup-orders@ub.uni-heidelberg.de |
| Maße: | 210 x 148 x 18 mm |
| Von/Mit: | Claudia Andratschke (u. a.) |
| Erscheinungsdatum: | 03.07.2024 |
| Gewicht: | 0,518 kg |
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