Decoded: New Essays on Zadie Smith examines the middle period of Zadie Smiths illustrious career as a dynamic, experimental novelist of contemporary Black British writing. The five new essays in Decoded, written by innovative scholars in the fields of British literature and African Diasporic studies, bring together the most original and current analysis of Smiths novels and literary criticism since the release of Smiths NW (2012). Decoded includes discussions of NW, Swing Time, The Embassy of Cambodia, Grand Union, Changing My Mind, Feel Free, and Intimations. The essays delve into Smiths philosophy about the role and responsibility of the artist, her ardent defense of the function of the novel in the digital age, and the connection between writers and readers. Also illuminated is Smiths growth as a writer, her reconceptualization of racial identity, and shifting literary techniques from hysterical realism to social realism. Finally, the book discusses Smith's role as a public intellectua, and her evolution from an optimistic champion of multiculturalism to a subdued, austere realist who has broadened her social critique from the local to the global arena.
Decoded: New Essays on Zadie Smith examines the middle period of Zadie Smiths illustrious career as a dynamic, experimental novelist of contemporary Black British writing. The five new essays in Decoded, written by innovative scholars in the fields of British literature and African Diasporic studies, bring together the most original and current analysis of Smiths novels and literary criticism since the release of Smiths NW (2012). Decoded includes discussions of NW, Swing Time, The Embassy of Cambodia, Grand Union, Changing My Mind, Feel Free, and Intimations. The essays delve into Smiths philosophy about the role and responsibility of the artist, her ardent defense of the function of the novel in the digital age, and the connection between writers and readers. Also illuminated is Smiths growth as a writer, her reconceptualization of racial identity, and shifting literary techniques from hysterical realism to social realism. Finally, the book discusses Smith's role as a public intellectua, and her evolution from an optimistic champion of multiculturalism to a subdued, austere realist who has broadened her social critique from the local to the global arena.
Über den Autor
Tracey L. Walters is Professor of Literature in the Department of Africana Studies at Stony Brook University, where she also holds an affiliate appointment with the Department of English, and Womens and Gender Studies. Dr. Walters has published numerous articles on Black womens literature and several books: African American Women and the Classicists Tradition: Black Women Writers from Wheatley to Morrison (2007), Zadie Smith: Critical Essays (2008), Zadie Smith (2012), and Not Your Mother's Mammy: The Black Domestic Worker in Transatlantic Media (2021).
Inhaltsverzeichnis
Introduction - Daniel South: Modelling Citizens: From a Digital to a Literary Public Sphere in NW and Swing Time - James Arnett: Zadie Smith's George Eliot's Spinoza and Everybody: The Ethics of Austere Realism - Matthias Stephan: Transmodern Identity Construction in Later Zadie Smith - Dr. Alberto Fernández Carbajal: "[U] nder the Sign of Love": Blackface Minstrelsy's Trauma, Racial Exploitation, and Kinaesthetic Hauntologies in Zadie Smith's Swing Time - Tracey L. Walters: The Quest for Knowledge: The Intellectual Woman in Zadie Smith's Novels.