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Beschreibung
The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice — research-based installations, performance exhibitions, interventions, and invocations of modernist architecture — leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice — research-based installations, performance exhibitions, interventions, and invocations of modernist architecture — leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
Über den Autor
Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
ISBN-13: 9781804296738
ISBN-10: 1804296732
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Bishop, Claire
Hersteller: Verso Books
Verantwortliche Person für die EU: LOGOS EUROPE, 9 Rue Nicholas Poussin, F-17000 La Rochelle, contact@logoseurope.eu
Abbildungen: 46 integrated black & white images
Maße: 197 x 129 x 20 mm
Von/Mit: Claire Bishop
Erscheinungsdatum: 12.11.2025
Gewicht: 0,216 kg
Artikel-ID: 134216305

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