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To paraphrase Picasso: the good borrow, but the truly great artists steal. The great masters of art earned their reputation for supposedly taking art in entirely new directions – for pioneering new techniques, breaking with tradition and busting norms – but behind almost every famous artwork you can find influence and inspiration artfully ‘stolen’ from elsewhere.
Great Artists Steal takes 40 groundbreaking artworks throughout history and shows how in truth they have their roots firmly in the past or in other works. Andy Warhol was famously obsessed with repurposing and repeating famous images from across history, while visual motifs that originated thousands of years ago are still repeated in contemporary art today. Where does ‘stealing’ begin and copying end, and how do ideas, influence and creativity travel across different generations of artists and artworks?
From the accidental to the purposeful, the innocent to the malicious, Great Artists Steal looks at all the ways famous artists have begged and borrowed their way to greatness. Whether you’re an art student, enthusiast or novice, this book will provide you with a new perspective on the history of art, and tell some fascinating stories along the way.
To paraphrase Picasso: the good borrow, but the truly great artists steal. The great masters of art earned their reputation for supposedly taking art in entirely new directions – for pioneering new techniques, breaking with tradition and busting norms – but behind almost every famous artwork you can find influence and inspiration artfully ‘stolen’ from elsewhere.
Great Artists Steal takes 40 groundbreaking artworks throughout history and shows how in truth they have their roots firmly in the past or in other works. Andy Warhol was famously obsessed with repurposing and repeating famous images from across history, while visual motifs that originated thousands of years ago are still repeated in contemporary art today. Where does ‘stealing’ begin and copying end, and how do ideas, influence and creativity travel across different generations of artists and artworks?
From the accidental to the purposeful, the innocent to the malicious, Great Artists Steal looks at all the ways famous artists have begged and borrowed their way to greatness. Whether you’re an art student, enthusiast or novice, this book will provide you with a new perspective on the history of art, and tell some fascinating stories along the way.
Debra N. Mancoff received her doctorate in Art History from northwestern University and taught at the Art institute of Chicago. She is currently a Scholar in Residence at the Newberry library in Chicago. She writes for The Art Quarterly, The Royal Academy Magazine and The Art Newspaper and is the author of numerous books on European and American art and culture.
Introduction: How Artists Really Get Their Ideas
Traditions
SHIVA'S ETERNAL DANCE
How centuries of Hindu history have informed the Shiva Nataraja
THE HUMAN IN THE DIVINE
How Lippi drew upon 1,000 years of depicting the Madonna and Child
CLOSE-UP COPY
How Courbet mirrored Rembrandt's self-portraits
LIGHT EFFECTS
How Whistler looked to the Edo era to light his nocturnal scenes
MIRRORING TRADITION
How Monir merged ancient aesthetics with contemporary expression
Learning Curve
HANDS ON TRAINING
How Verrocchio’s Baptism of Christ had a helping hand from da Vinci
ATMOSPHERIC IMPRESSIONS
How Monet learned to paint the air from Turner
THE HEROIC LABOURER
How Van Gogh made Millet’s The Sower his own
WATCH & LEARN
How Hoschedé-Monet adapted Monet’s en plein air painting to her own style
Creative Exchange
WHAT MIGHT HAVE BEEN BUILT
How Raphael realized Bramante’s grand design for St Peter’s Basilica
PASSING THE TORCH
How Caravaggio’s dramatic use of light inspired generations
A NEW VIEW
How Masanobu Modernized Perspective in the Ukiyo-e Print
SIDE BY SIDE
How painting partners Monet and Renoir borrowed the same scene with different points of view
INSPIRED ADAPTATION
How Cassatt was inspired by Japanese colour block printing
LITTLE CABINET OF STEALS
How Rauschenberg combined found objects and purpose-made art
Influence & Innovation
BODY LANGUAGE
How Michelangelo’s Adam embodied the classical ideal of ancient sculptures
HONOURING TRADITION BY BREAKING THE RULES
How Manet interpreted Renaissance open-air gatherings for modern times
LOOKING THROUGH A DIFFERENT LENS
How Degas’ spatial dynamism was inspired by the nascent age of photography
SHIFTING SENSATIONS
How Steer updated Constable's naturalism
THE MASTER THIEF
How Picasso's Les Demoiselles d’Avignon borrowed from Cézanne
I TAUGHT JACK THAT
How Pollock learnt rhythm and flow from Benton
Meaningful Connections
AN ANCIENT POSE FOR A CONTEMPORARY CELEBRITY
How Reynolds invoked the classical beauty of Leochares’ Apollo Belvedere
A MODEL FOR MARTYRDOM
How Goya reinterpreted an iconic image of sacrifice
THE ATMOSPHERE IN THE ROOM
How Chase mirrored Velázquez’s Las Meninas in his family portrait
REORIENTING THE GAZE
How Sleigh turned Ingres’ Turkish Bath from fantasy to reality
PICTURE WITHIN A PICTURE
How Lichtenstein paid homage to Matisse
CINEMATIC SUGGESTION
How Sherman reimagined the B-movie heroine
HYBRID INFLUENCES
How Shonibare transformed Raeburn’s sombre figure with west African fashion
Transformation
STEALING SWAGGER
How Sargent was inspired by Van Dyck’s portraits to give his sitters style
GROUNDING THE GODDESS
How Modigliani looked to the Old Masters’ depictions of the female form
STEALING A SCHOOLBOY'S PRANK
How Duchamp made his mark on the Mona Lisa
RECOVERY & RECLAMATION
How Stout summoned ancestral authority
RIGHTEOUS RIDER
How Kehinde Wiley modernized the equestrian monument
A PROCESSION FOR OUR TIME
How Dagvasambuu adapted the traditional procession motif
Endnotes
Further Reading
Index
Credits
Acknowledgements & Author Biography
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Buch |
| ISBN-13: | 9781836002581 |
| ISBN-10: | 1836002580 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Mancoff, Debra N. |
| Hersteller: |
Quarto
Frances Lincoln |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Abbildungen: | 150 images |
| Maße: | 251 x 196 x 23 mm |
| Von/Mit: | Debra N. Mancoff |
| Erscheinungsdatum: | 27.08.2026 |
| Gewicht: | 0,898 kg |