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In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations. Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e, or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture.
Japanese Prints in Transition: From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.
Includes Color Photographs
In 1868, Japan underwent a dramatic transformation following the overthrow of the shogun by supporters of Emperor Meiji, marking the end of feudal military rule and ushering in a new era of government that promoted modernizing the country and interacting with other nations. Japanese print culture, which had flourished for more than a century with the production of color woodcuts (the so-called ukiyo-e, or “floating world” images), also changed course during the Meiji era (1868–1912), as societal changes and the once-isolationist country’s new global engagement provided a wealth of new subjects for artists to capture.
Japanese Prints in Transition: From the Floating World to the Modern World documents the shift from delicately colored ukiyo-e depictions of actors, courtesans, and scenic views to brightly colored images of Western architecture, modern military warfare, technology (railroad trains, steam-powered ships, telegraph lines), and Victorian fashions and customs.
Includes Color Photographs
Rhiannon Paget is the curator of Asian art at the John & Mabel Ringling Museum of Art in Sarasota, Florida. Karin Breuer is curator in charge of the Achenbach Foundation for Graphic Arts.
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Antiquitäten |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9781951836986 |
| ISBN-10: | 1951836987 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Paget, Rhiannon
Breuer, Karin |
| Dirigent: | Fine Arts Museums of San Francisco |
| Hersteller: | Abrams Books |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 236 x 209 x 20 mm |
| Von/Mit: | Rhiannon Paget (u. a.) |
| Erscheinungsdatum: | 14.03.2023 |
| Gewicht: | 0,932 kg |
Rhiannon Paget is the curator of Asian art at the John & Mabel Ringling Museum of Art in Sarasota, Florida. Karin Breuer is curator in charge of the Achenbach Foundation for Graphic Arts.
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Antiquitäten |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9781951836986 |
| ISBN-10: | 1951836987 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Paget, Rhiannon
Breuer, Karin |
| Dirigent: | Fine Arts Museums of San Francisco |
| Hersteller: | Abrams Books |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 236 x 209 x 20 mm |
| Von/Mit: | Rhiannon Paget (u. a.) |
| Erscheinungsdatum: | 14.03.2023 |
| Gewicht: | 0,932 kg |
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