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Music and Embodied Cognition
Listening, Moving, Feeling, and Thinking
Taschenbuch von Arnie Cox
Sprache: Englisch

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Beschreibung
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Inhaltsverzeichnis

Acknowledgments
Part One: Theoretical Background
Introduction
1. Mimetic Comprehension
2. Mimetic Comprehension of Music
3. Metaphor and Related Means of Reasoning

Part Two: Spatial Conceptions
4. Pitch Height
5. Temporal Motion and Musical Motion
6. Perspectives on Musical Motion

Part Three: Beyond Musical Space
7. Music and the External Senses
8. Musical Affect
9. Applications
10. Review and Implications
Appendix I. Mimetic Subvocalization and Absolute Pitch
Appendix II. Levels of Abstraction Among Metaphors
Bibliography
Index

Details
Erscheinungsjahr: 2017
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780253032317
ISBN-10: 0253032318
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cox, Arnie
Hersteller: Indiana University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 17 mm
Von/Mit: Arnie Cox
Erscheinungsdatum: 01.08.2017
Gewicht: 0,465 kg
Artikel-ID: 109086397
Inhaltsverzeichnis

Acknowledgments
Part One: Theoretical Background
Introduction
1. Mimetic Comprehension
2. Mimetic Comprehension of Music
3. Metaphor and Related Means of Reasoning

Part Two: Spatial Conceptions
4. Pitch Height
5. Temporal Motion and Musical Motion
6. Perspectives on Musical Motion

Part Three: Beyond Musical Space
7. Music and the External Senses
8. Musical Affect
9. Applications
10. Review and Implications
Appendix I. Mimetic Subvocalization and Absolute Pitch
Appendix II. Levels of Abstraction Among Metaphors
Bibliography
Index

Details
Erscheinungsjahr: 2017
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780253032317
ISBN-10: 0253032318
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cox, Arnie
Hersteller: Indiana University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 17 mm
Von/Mit: Arnie Cox
Erscheinungsdatum: 01.08.2017
Gewicht: 0,465 kg
Artikel-ID: 109086397
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