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Cover: 9780415898942 | Music, Sound and Filmmakers | Sonic Style in Cinema | James Wierzbicki
Rückseite: 9780415898942 | Music, Sound and Filmmakers | Sonic Style in Cinema | James Wierzbicki
Cover: 9780415898942 | Music, Sound and Filmmakers | Sonic Style in Cinema | James Wierzbicki
Rückseite: 9780415898942 | Music, Sound and Filmmakers | Sonic Style in Cinema | James Wierzbicki
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Music, Sound and Filmmakers
Sonic Style in Cinema
Taschenbuch von James Wierzbicki
Sprache: Englisch

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Beschreibung
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kielowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kielowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
Über den Autor

James Wierzbicki teaches Musicology at the University of Sydney.

Inhaltsverzeichnis

1. Sonic Style in Cinema James Wierzbicki 2. Music, Sound, and Silence in the Films of Ingmar Bergman Per F. Broman 3. Andrey Tarkovsky; The Refrain of the Sonic Fingerprint Elizabeth Fairweather 4. "It's All Really Happening": Sonic Shaping in the Films of Wes Anderson Ben Winters 5. Kielowski's Musique concrete Joseph G. Kickasola 6. Gus Van Sant's Soundwalks and Audio-visual Musique concrete Danijela Kulezic-Wilson 7. Blowin' in the Wind: Music and Meaning in the Coen Brothers' Films Matthew McDonald 8. Sound and Uncertainty in the Horror Films of the Lewton Unit Michael Lee 9. Conducting the Composer: David O. Selznick and the Hollywood Film Score Nathan Platte 10. The Stanley Kubrick Experience: Music, Firecrackers, Disorientation, and You Kate McQuiston 11. The Filmmaker's Contract: Controlling Sonic Space in the Films of Peter Greenaway Ian Sapiro 12. The Attractions of Repetition: Tarantino's Sonic Style Lisa Coulthard 13. Dream Timbre: Notes on Lynchian Sound Design Isabella van Elferen

Details
Erscheinungsjahr: 2012
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780415898942
ISBN-10: 0415898943
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Wierzbicki, James
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 13 mm
Von/Mit: James Wierzbicki
Erscheinungsdatum: 26.04.2012
Gewicht: 0,343 kg
Artikel-ID: 128448891
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