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Beschreibung
A fascinating new study of the face, form, and history of expression.
Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people.
Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W. H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.
A fascinating new study of the face, form, and history of expression.
Advances in facial recognition, artificial intelligence, and other technologies provoke urgent ethical questions about facial expressivity and how we interpret it. In The New Physiognomy, Rochelle Rives roots contemporary facial dilemmas in a more expansive timeline of modernist engagements with the face to argue that facial ambiguity is essential to how we value other people.
Beginning with nineteenth-century caricatures of Oscar Wilde's face, Rives reasons that modernist modes of reading the face perceived it as a manifestation of both biologically determined traits and scripted forms of personality. Considering faces such as sculptures of great poets, portraits of facially wounded World War I soldiers, W. H. Auden's aging face, and Cindy Sherman's recent photographic self-portraits, Rives reframes how to read modernist works by Theodore Dreiser, Edith Wharton, Jean Rhys, Joseph Conrad, Mina Loy, Henry Tonks, and Henri Gaudier-Brzeska.
Über den Autor
Rochelle Rives (NEW YORK, NY) is a professor of English at the Borough of Manhattan Community College, City University of New York. She is the author of Modernist Impersonalities: Affect, Authority, and the Subject.
Details
Erscheinungsjahr: 2024
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781421448381
ISBN-10: 1421448386
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rives, Rochelle
Hersteller: Johns Hopkins University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 15 mm
Von/Mit: Rochelle Rives
Erscheinungsdatum: 12.03.2024
Gewicht: 0,427 kg
Artikel-ID: 127331279