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Beschreibung
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).

Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen).

Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.
Über den Autor
Greg Hainge is Reader in French and Head of the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia. He is the author of Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline and has published widely on cinema, music, critical theory and French literature.
Zusammenfassung
Looks at noise from a variety of new and controversial perspectives.
Inhaltsverzeichnis

Introduction
SECTION 1.
Chapter 1. The (not so) Noisy Elephants in the Room.
Chapter 2. Noisea.
Chapter 3. Noise, Horror, Death.
SECTION 2.
Chapter 4. On the Difficulties of Attending to Noise.
Chapter 5. On the Difficulties of Listening to Noise.
SECTION 3.
Chapter 6. On Noise and Film. Planet, Rabbit, Lynch.
Chapter 7. On Noise and Photography. Forest, Fuzz, Ruff.
Chapter 8. On Noise and Music. Concrete (reprise), Woolly Mammoth.
Conclusion

Details
Erscheinungsjahr: 2013
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781441111487
ISBN-10: 1441111484
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hainge, Greg
Hersteller: Bloomsbury 3PL
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 216 x 140 x 17 mm
Von/Mit: Greg Hainge
Erscheinungsdatum: 25.04.2013
Gewicht: 0,393 kg
Artikel-ID: 131119726

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