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Beschreibung
A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.
Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
Über den Autor
MARKAND THAKAR is an American conductor and music director of the Baltimore Chamber Orchestra.
Inhaltsverzeichnis
Preface
Acknowledgments
Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
Addendum A. Starting, Stopping, and Fermatas: Achieving a Collective Sense of When to Begin and End the Sound
Addendum B. Odds and Ends: A Miscellany of Matters Musical, Physical, and Practical
Bibliography
Index
Acknowledgments
Make Beautiful Music: Involving Singularity of Tones in Succession and of Tones Sounding Simultaneously
Free the Mind, Hear Everything: Connecting the Open Consciousness to All the Sounds, All the Time
Free the Body: Involving the Necessity of Freeing the Body from Unnecessary Muscle Tensions
Be the Music: Applying the Free Body in the Service of a Maximally Beautiful Performance
Addendum A. Starting, Stopping, and Fermatas: Achieving a Collective Sense of When to Begin and End the Sound
Addendum B. Odds and Ends: A Miscellany of Matters Musical, Physical, and Practical
Bibliography
Index
Details
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781648250965 |
| ISBN-10: | 1648250963 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Thakar, Markand |
| Hersteller: |
Boydell & Brewer Ltd.
University of Rochester Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Abbildungen: | 12 b/w and 60 line illus. |
| Maße: | 229 x 152 x 8 mm |
| Von/Mit: | Markand Thakar |
| Erscheinungsdatum: | 10.09.2024 |
| Gewicht: | 0,223 kg |