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is Reader in Performing Arts at the University of East London, UK. She is author of
Performing the Nation: Genocide, Justice, Reconciliation
(2014) in addition to several publications that address transitional systems of governance and the arts. She has worked as a consultant for IREX and UNICEF in Indonesia and Central Asia on issues concerning conflict negotiation and conducted applied arts workshops internationally. She is Co-Director of the Centre for Performing Arts Development (CPAD) at UEL and former Research Fellow at the International Research Centre Interweaving Performance Cultures at Freie University (2013-2014).
Tim Prentki
is Professor of Theatre for Development at the University of Winchester, UK. He is the author of
The Fool in European Theatre and Applied Theatre Development,
co-author of
Popular Theatre in Political Culture
and co-editor of
The Applied Theatre Reader.
He also writes regularly for
Research in Drama Education
and
Applied Theatre Research
.
Addresses varied strategies for engaging communities towards effecting political and social change
Explores notions of social engagement through the digitisation of performances
Interrogates the interface between geographical and sovereign spaces, from the United Kingdom to Kyrgyzstan
Includes supplementary material: [...]
General Introduction; Ananda Breed & Tim Prentki.- Introduction to Politicising Communities; Ananda Breed & Tim Prentki.- A Dog's Obeyed in Office; Tim Prentki.- Performing Difference: Diversity, representation and the nation; Dominic Hingorani.- At Home and Abroad: The Study Room in Exile; Gary Anderson & Lena imi¿.- Interview with Roland Muldoon.- Introduction to Applying Digital Agency; Ananda Breed & Tim Prentki.- Nowhere without you; Misha Myers.- Sounding out the City; Hannah Nicklin.- The Dead are Coming: Political Performance Art, Activist Remembrance and Dig(ital) Protests; Samuel Merrill.- Internet, Theatre and the Public Voice; Christina Papagiannouli.- Interview with Christian Cherene.- Introduction to Performing Landscapes; Ananda Breed & Tim Prentki.- Performance, Place and Culture for Civic Engagement in Kyrgyzstan; Ananda Breed.- 'Mr President, open the door please, I want to be free': participatory walking as aesthetic strategy for transforming a hostage space; Luis Sotelo.- Artistic Diplomacy: On civic engagement and transnational theatre; Jonas Tinius.- Interview with Nurlan Asanbekov.
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: |
xix
312 S. 24 s/w Illustr. 312 p. 24 illus. |
| ISBN-13: | 9783319882611 |
| ISBN-10: | 3319882619 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Breed, Ananda
Prentki, Tim |
| Herausgeber: | Ananda Breed/Tim Prentki |
| Auflage: | Softcover reprint of the original 1st edition 2018 |
| Hersteller: |
Springer
Springer International Publishing AG |
| Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
| Maße: | 210 x 148 x 19 mm |
| Von/Mit: | Ananda Breed (u. a.) |
| Erscheinungsdatum: | 04.09.2018 |
| Gewicht: | 0,431 kg |