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Englisch
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Beschreibung
"Taking place in the skies over London, the plazas of Rotterdam, and the hallways of museums worldwide, a new kind of art has emerged since the 1990s. Known as Relational Art, this controversial practice features audience participation in ways never before realised, often using new media and social networking. In this book, academic and artist Craig Smith outlines a rigorous theory of Relational Art, explaining why audience interaction and collective art production has become so relevant"--
"Taking place in the skies over London, the plazas of Rotterdam, and the hallways of museums worldwide, a new kind of art has emerged since the 1990s. Known as Relational Art, this controversial practice features audience participation in ways never before realised, often using new media and social networking. In this book, academic and artist Craig Smith outlines a rigorous theory of Relational Art, explaining why audience interaction and collective art production has become so relevant"--
Über den Autor
Craig Smith is Associate Professor of Art at the College of Fine Arts, University of Florida, USA. His previous books include Training Manual for Relational Art (2009) and On the Subject of the Photographic (2007). He is also a media artist, using image, sound and text to explore the production of contemporary culture.
Inhaltsverzeichnis
List of Illustrations
Introduction
1. Space
The Literalist Site
The Mobile Site
Case Study 1. Producing You Differently: Literalism in Duke Bailey's 2004 Art Fair Appearance
Case Study 2. Lee Walton's Stacked
2. Time
Case Study 3. Immersion in the Time of Art: Matthew Bakkom's Intimacy Machine
3. Participation in Relational Art
4. Interactivity in Relational Art
5. Participation and Interactivity Case Studies
Case Study 4. Bodily Interactivity Without Computers: Broken Bones and Pivi's Grass Slope
Case Study 5. The Weather Project: Participation to Interactivity to Participation
Case Study 6. The Thames Whale
Case Study 7. Abusive Crowd Interaction and the Sports Arena: New Orleans 2005
Case Study 8. College Station and the 12th Man
6. Relational Art and Social Identity
Selected Case Studies
Summary
Notes
Bibliography
Introduction
1. Space
The Literalist Site
The Mobile Site
Case Study 1. Producing You Differently: Literalism in Duke Bailey's 2004 Art Fair Appearance
Case Study 2. Lee Walton's Stacked
2. Time
Case Study 3. Immersion in the Time of Art: Matthew Bakkom's Intimacy Machine
3. Participation in Relational Art
4. Interactivity in Relational Art
5. Participation and Interactivity Case Studies
Case Study 4. Bodily Interactivity Without Computers: Broken Bones and Pivi's Grass Slope
Case Study 5. The Weather Project: Participation to Interactivity to Participation
Case Study 6. The Thames Whale
Case Study 7. Abusive Crowd Interaction and the Sports Arena: New Orleans 2005
Case Study 8. College Station and the 12th Man
6. Relational Art and Social Identity
Selected Case Studies
Summary
Notes
Bibliography
Details
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9781780762555 |
| ISBN-10: | 1780762550 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Smith, Craig |
| Hersteller: | Bloomsbury Academic |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 226 x 152 x 15 mm |
| Von/Mit: | Craig Smith |
| Erscheinungsdatum: | 14.11.2024 |
| Gewicht: | 0,476 kg |