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The author covers a range of largely unexplored topics, including the role of "heroines" in a (supposedly) male-oriented system of film production, the function of the celluloid Indians, the transcultural and transnational history of the first spaghetti Western, the construction of femininity and masculinity in the hybrid Westerns of the 1950s, and the new paths of the Western in the 21st century.
The author covers a range of largely unexplored topics, including the role of "heroines" in a (supposedly) male-oriented system of film production, the function of the celluloid Indians, the transcultural and transnational history of the first spaghetti Western, the construction of femininity and masculinity in the hybrid Westerns of the 1950s, and the new paths of the Western in the 21st century.
Acknowledgments
Introduction: Why the Western?
1.¿Transnational Adaptation, Transculturation and Indigenization: Dashiell Hammett's Red Harvest, Carlo Goldoni's The Servant of Two Masters, Akira Kurosawa's Yojimbo and Sergio Leone's A Fistful of Dollars
Prologue
The National
The Origins: Local and Translocal
The Transnational
Conclusion
2.¿Celluloid Indians, 1950s Westerns and the Termination Act: Broken Arrow, White Feather, The Battle of Apache Pass, Devil's Doorway, The Last Wagon and The Last Hunt
Prologue
Broken Arrow (1950)
White Feather (1955) and The Battle of Apache Pass (1952)
Devil's Doorway (1950)
The Last Wagon (1956)
The Last Hunt (1956)
Conclusion
3.¿Heroines in Western Films? Mikhail Bakhtin's "Dialogic Imagination" in Shane, High Noon and Westward the Women
Monoglossia: The Submissive Woman and Shane (1953)
Heteroglossia: The Transgressive Woman and High Noon (1952)
X-glossia: Transformational Women and Westward the Women (1951)
4.¿Hybridity and (De)Construction of Femininity and Masculinity in Rancho Notorious, Johnny Guitar and Duel in the Sun
Rancho Notorious: The Filmic Text (1952)
Johnny Guitar: Paratext
Johnny Guitar: Peritext and the Novel (1953)
Johnny Guitar: The Filmic Text (1954)
Duel in the Sun (1946): Paratext
Duel in the Sun: The Novel (1944)
Duel in the Sun: The Filmic Text (1946)
Patriarchy and Failed Masculinities
Patriarchy and Failed Femininities
Capitalism and Patriotism
5.¿New Paths of the Western in the Third Millennium: The Lone Ranger, Yesterday and Today
The Western Genre Today
Enter The Lone Ranger: Prologue
The Lone Ranger Yesterday or How the West Was Conquered
The Lone Ranger (2013): Paratext
The Lone Ranger Today or How the West Was Lost
Chapter Notes
Bibliography
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781476683065 |
| ISBN-10: | 1476683069 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brizio-Skov, Flavia |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 15 mm |
| Von/Mit: | Flavia Brizio-Skov |
| Erscheinungsdatum: | 03.02.2021 |
| Gewicht: | 0,418 kg |
Acknowledgments
Introduction: Why the Western?
1.¿Transnational Adaptation, Transculturation and Indigenization: Dashiell Hammett's Red Harvest, Carlo Goldoni's The Servant of Two Masters, Akira Kurosawa's Yojimbo and Sergio Leone's A Fistful of Dollars
Prologue
The National
The Origins: Local and Translocal
The Transnational
Conclusion
2.¿Celluloid Indians, 1950s Westerns and the Termination Act: Broken Arrow, White Feather, The Battle of Apache Pass, Devil's Doorway, The Last Wagon and The Last Hunt
Prologue
Broken Arrow (1950)
White Feather (1955) and The Battle of Apache Pass (1952)
Devil's Doorway (1950)
The Last Wagon (1956)
The Last Hunt (1956)
Conclusion
3.¿Heroines in Western Films? Mikhail Bakhtin's "Dialogic Imagination" in Shane, High Noon and Westward the Women
Monoglossia: The Submissive Woman and Shane (1953)
Heteroglossia: The Transgressive Woman and High Noon (1952)
X-glossia: Transformational Women and Westward the Women (1951)
4.¿Hybridity and (De)Construction of Femininity and Masculinity in Rancho Notorious, Johnny Guitar and Duel in the Sun
Rancho Notorious: The Filmic Text (1952)
Johnny Guitar: Paratext
Johnny Guitar: Peritext and the Novel (1953)
Johnny Guitar: The Filmic Text (1954)
Duel in the Sun (1946): Paratext
Duel in the Sun: The Novel (1944)
Duel in the Sun: The Filmic Text (1946)
Patriarchy and Failed Masculinities
Patriarchy and Failed Femininities
Capitalism and Patriotism
5.¿New Paths of the Western in the Third Millennium: The Lone Ranger, Yesterday and Today
The Western Genre Today
Enter The Lone Ranger: Prologue
The Lone Ranger Yesterday or How the West Was Conquered
The Lone Ranger (2013): Paratext
The Lone Ranger Today or How the West Was Lost
Chapter Notes
Bibliography
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781476683065 |
| ISBN-10: | 1476683069 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brizio-Skov, Flavia |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 15 mm |
| Von/Mit: | Flavia Brizio-Skov |
| Erscheinungsdatum: | 03.02.2021 |
| Gewicht: | 0,418 kg |
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