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Beschreibung
Many screenwriting books emphasize structure and plot to the detriment of character and, perhaps partly because of this, a frequent flaw of the modern screenplay is the over-reliance on plot as the GPS of the composition journey. In Screenwriter's Compass, Guy Gallo shows aspiring and professional screenwriters how to move away from the turn-by-turn directions of the outline and navigate more intuitively. Screenwriters will see that narrative grows out of behavior and will stop pushing and pummeling their characters to fit the outline. With Gallo's guidance, screenwriters will learn how to root their funniest prose and catchiest dialogue in character and voice to make their worlds real.
Many screenwriting books emphasize structure and plot to the detriment of character and, perhaps partly because of this, a frequent flaw of the modern screenplay is the over-reliance on plot as the GPS of the composition journey. In Screenwriter's Compass, Guy Gallo shows aspiring and professional screenwriters how to move away from the turn-by-turn directions of the outline and navigate more intuitively. Screenwriters will see that narrative grows out of behavior and will stop pushing and pummeling their characters to fit the outline. With Gallo's guidance, screenwriters will learn how to root their funniest prose and catchiest dialogue in character and voice to make their worlds real.
Über den Autor
Guy Gallo's first produced screenplay (Under the Volcano) was directed by John Huston and released in 1984. Since then he has written over a dozen feature screenplays, with four others produced. He has over 20 years of teaching experience at the Columbia University's School of the Arts, New York University, and Barnard College, his students including James Mangold (Girl Interrupted, 3:10 to Yuma, Walk the Line), and Greg Mottola (Superbad, Adventureland).
Inhaltsverzeichnis

FIRST THINGS

Screenwriter's Compass

Big Deal-You're Writing a Screenplay

Gear Up

Screenwriting Is Writing

Craftsmanship

GROUNDWORK

Reading Theory

Upsetting Aristotle

Putting Aristotle to Work

Character-Driven versus Plot-Driven

Fable and Construct

Turning Theory to Task

GETTING READY

Master Shot Screenplay

Reading Screenplays

Composition Creates Story

On Outlines

On Character Histories

On Treatments

On Adaptation

FIRST DRAFT

The Blank Page

Scene and Action Description

Camera Gestures and Paragraphing

Being God

Character Logic

Hearing Voices

Empathy

Thinking of Structure

Breaking a Block

REVISION

First Reader

Looking Again for Logic

Questions

Challenges and Pitfalls

On Expectation

FINISHING

Wrighting a Screenplay

Screenplay Format

Series of Shots

Proofreading

Submission

GETTING READY AGAIN

Passion and Purpose

Happy Accident

Intuition and Analysis

Lessons

Details
Erscheinungsjahr: 2012
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
ISBN-13: 9780240818078
ISBN-10: 0240818075
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Gallo, Guy
Hersteller: Routledge
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 12 mm
Von/Mit: Guy Gallo
Erscheinungsdatum: 17.02.2012
Gewicht: 0,321 kg
Artikel-ID: 128410317