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Beschreibung
In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Über den Autor
Nicole Erin Morse is Associate Professor of Media Studies in the Language, Literacy, and Culture Program at the University of Maryland Baltimore County.
Inhaltsverzeichnis
Prologue The Monster by the Pool vii
Acknowledgments xv
Introduction 1
1. Doubling 23
2. Gender Performatives and Selfie Improvisatives 50
3. Visibility Politics and Selfie Seriality 74
4. Selfie Time(lines) 96
5. Trans Feminist Futures 115
Coda 136
Notes 139
Selected Bibliography 163
Index 175
Details
Erscheinungsjahr: 2022
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478018148
ISBN-10: 1478018143
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Morse, Nicole Erin
Hersteller: Duke University Press
Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk
Maße: 229 x 152 x 11 mm
Von/Mit: Nicole Erin Morse
Erscheinungsdatum: 22.04.2022
Gewicht: 0,295 kg
Artikel-ID: 120482514

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