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Beschreibung
In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp.
In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp.
Über den Autor
Caroline Fowler is Starr Director of the Research and Academic Program at the Clark Institute. She is the author of The Art of Paper: From the Holy Land to the Americas and Drawing and the Senses: An Early Modern History.
Inhaltsverzeichnis
Acknowledgments vii
Introduction. Transubstantiation across Atlantic Worlds
. Art Markets and Futures Speculation 22
2.Seascapes and Landscapes 34
3. Monuments and Architectural Painting 52
4. Domestic Interiors and Natural History 8
Conclusion. Historiography and Race 8
Notes 25
Bibliography 4
Index 59
Details
Erscheinungsjahr: 2025
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781478031321
ISBN-10: 1478031328
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Fowler, Caroline
Hersteller: Duke University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 224 x 149 x 11 mm
Von/Mit: Caroline Fowler
Erscheinungsdatum: 03.02.2025
Gewicht: 0,276 kg
Artikel-ID: 131694986

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