Cheyne: The Philosophy of Rhythm

Cover: 9780199347780 | The Philosophy of Rhythm | Aesthetics, Music, Poetics | Cheyne | Buch

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Sprache: Englisch

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Beschreibung

With original essays by philosophers, psychologists, musicians, literary critics, and ethno-musicologists, The Philosophy of Rhythm offers a broad perspective on rhythm-the fundamental pulse that animates music, dance, and poetry across all cultures.

Über den Autor

Peter Cheyne is Associate Professor at Shimane University, and Visiting Fellow in Philosophy at Durham University. He leads two international projects, one on the Aesthetics of Perfection and Imperfection, and the other on the 17th- to 19th-century Philosophy of the Life Sciences.

Andy Hamilton teaches philosophy at Durham University, UK. He specialises in aesthetics, philosophy of mind, political philosophy, and history of 19th- and 20th-century philosophy, especially Wittgenstein.

Max Paddison is Emeritus Professor of Music Aesthetics at the University of Durham. He works in critical theory, philosophy, contemporary music, and popular music.

Inhaltsverzeichnis

List of Illustrations

List of Abbreviations

Notes on Contributors

Introduction

Part I: Movement and Stasis

1. Dialogue on Rhythm: Entrainment and the Dynamic Thesis

2. Rhythm and Movement

3. The Ontology of Rhythm

4. 'Feeling the Beat': Multimodal Perception and the Experience of Musical Movement

5. Dance Rhythm

Part II. Emotion and Expression

6. The Life of Rhythm: Dewey, Relational Perception, and the 'Cumulative Effect'

7. Rhythm, Preceding its Abstraction

8. Mozart's 'Dissonance' and the Dialectic of Language and Thought in Classical Theories of Rhythm

9. Rhythm and Popular Music

10. Rhythms, Resemblance, and Musical Expressiveness

Part III: Entrainment and the Social Dimension

11. Metric Entrainment and the Problem(s) of Perception

12. Entrainment and the Social Origins of Musical Rhythm

13. How Many Kinds of Rhythm Are There?

14. Temporal Processing and the Experience of Rhythm: A Neuro-psychological Approach

Part IV. Time and Experience: Subjective and Objective Rhythm

15. Complexity and Passage: Experimenting with Poetic Rhythm

16. Encoded and Embodied Rhythm: An Unprioritized Ontology

17. Time, Duration, Rhythm: The Aesthetics of Temporality in Bachelard and Deliège

18. Husserl's Model of Time-Consciousness, and the Phenomenology of Rhythm

19. Pictorial Experience and the Perception of Rhythm

20. Soundless Rhythm

Part V. Reading Rhythm

21. Hearing it Right: Rhythm and Reading

22. The Not-so-silent Reading: What Does it Mean to Say that we Appreciate Rhythm in Literature?

23. Leaving it Out: Rhythm and Short Form in the Modernist Poetic Tradition

24. Rhythm, Meter, and the Poetics of Abstraction

Details

Erscheinungsjahr:	2019
Genre:	Importe , Musik
Rubrik:	Kunst & Musik
Thema:	Musiktheorie & Musiklehre
Medium:	Taschenbuch
Inhalt:	Buch
ISBN-13:	9780199347780
ISBN-10:	0199347786
Sprache:	Englisch
Einband:	Kartoniert / Broschiert
Komponist:	Peter Cheyne_Andy Hamilton
Redaktion:	Cheyne
Hersteller:	Oxford University Press, USA
Verantwortliche Person für die EU:	Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße:	254 x 178 x 23 mm
Von/Mit:	Cheyne
Erscheinungsdatum:	27.11.2019
Gewicht:	0,819 kg