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By the early twentieth century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening [...] book explores that shift, examining the rise and fall of the player piano in early twentieth-century society and connecting it to the digital technologies of today.
By the early twentieth century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening [...] book explores that shift, examining the rise and fall of the player piano in early twentieth-century society and connecting it to the digital technologies of today.
Allison Rebecca Wente is Assistant Professor of Music at Elon University, where she teaches Music Theory. Her research focuses on mechanical music, especially the role of the player piano in the early 20th century.
Introduction
Chapter 1: Queue the Roll: Taylorized Labor Practices and Music of the Machine Age
Chapter 2: Unveiling the Editor's Hand: A Sonic Comparison of Rachmaninoff's C# Minor Prelude on Roll and Record
Chapter 3: Phantom Fingers at Work: Selling Mechanized Musical Labor in a Changing Musical Marketplace
Chapter 4: Absolute Music and the Player Piano
Chapter 5: The Player Piano, Revisited
Allison Rebecca Wente is Assistant Professor of Music at Elon University, where she teaches Music Theory. Her research focuses on mechanical music, especially the role of the player piano in the early 20th century.
Introduction
Chapter 1: Queue the Roll: Taylorized Labor Practices and Music of the Machine Age
Chapter 2: Unveiling the Editor's Hand: A Sonic Comparison of Rachmaninoff's C# Minor Prelude on Roll and Record
Chapter 3: Phantom Fingers at Work: Selling Mechanized Musical Labor in a Changing Musical Marketplace
Chapter 4: Absolute Music and the Player Piano
Chapter 5: The Player Piano, Revisited
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