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Beschreibung

Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, The Soul of Screenwriting demonstrates how the "screenwriting by numbers" approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too.

What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information-left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and sequences-is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big "plot points" with exciting action. G ood screenwriting also has integrity and authenticity. It has a "voice," and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castañeda's phrase, a path with heart.

Uniquely inspired by the work of mythologist Joseph Campbell and psychologist Jean Houston, The Soul of Screenwriting demonstrates how the "screenwriting by numbers" approach that offers templates into which the writer may mechanically drop his or her story idea is fundamentally incomplete. Keith Cunningham maintains that in doing so, one ignores the process of writing. Screenwriting is a long journey and even the most gifted screenwriters get lost along the way. Getting lost, Cunningham reminds us, is part of the process too.

What the writer experiences in the act of writing has never been taken into account, yet this is where the screenplay comes from: the writer's here-and-now experience while working on the story. Information-left-brain concepts and techniques about plot structure, character development and orchestration, the dynamics of scenes and sequences-is all necessary. But it is what one does with the information that makes a truly great screenplay. In The Soul of Screenwriting, Cunningham demonstrates that good screenwriting is more than hitting the big "plot points" with exciting action. G ood screenwriting also has integrity and authenticity. It has a "voice," and because it has a voice it speaks to the audience. To gain a voice, the writer needs the heat of creative imagination: passion, commitment, enthusiasm, a drive to know the truth of the characters, and an urge to get to the core of the dramatic conflict without resorting to escapism. These are qualities of the heart, and as Cunningham argues, screenwriting can indeed be, in Carlos Castañeda's phrase, a path with heart.

Über den Autor
Keith Cunningham is a screenwriter and consultant based in Chicago, Illinois and Munich,
Zusammenfassung
the book grows out of seminars the author and his partner, tom schlesinger, have been leading for years.uniquely inspired by famed mythologist Joseph Campell and psychologist Jean Houston
Inhaltsverzeichnis

Part One : The Living Story
Chapter One: The Night of the King Coho

Chapter Two: Mirrored in the Story

Chapter Three: The Mythic Dimension of Screenwriting

Chapter Four: Need vs. Mode, The Core of Conflict

Chapter Five: The Story Molecule

Chapter Six: Character Webs and Story Worlds
Chapter Seven: Orchestrating Character and Style

Part Two: Plot and the Dynamics of Creation

Chapter Eight: The Soul of Screenplay Structure

Chapter Nine: The Journey in Four Movements

Chapter Ten: Act, Sequence, Scene, Beat: The Dramatic Present

Chapter Eleven: The Sixteen Story Steps

Chapter Twelve: The Creative Journey of Story Development

Epilogue: Writing Practice is Life Practice

Details
Erscheinungsjahr: 2008
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780826428691
ISBN-10: 082642869X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Cunningham, Keith
Hersteller: Bloomsbury 3PL
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 27 mm
Von/Mit: Keith Cunningham
Erscheinungsdatum: 15.11.2008
Gewicht: 0,737 kg
Artikel-ID: 125359775

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