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Part 1: Repertoire
I. Sacred
1. Chant
2. Organum
3. Motet & Cantilena
4. Polyphonic Mass Ordinary
II. Non-Liturgical Monophony
5. Introduction
6. Latin
7. Occitan
8. French
9. Iberian
10. Sephardic
11. Italian
12. German
13. English
III. Lyric Forms post 1300
14. French Ars Nova
15. Italian Ars Nova
16. Ars Subtilior
17. Early Du Fay
IV. Drama
18. Litugical
19. Vernacular
Part 2: Voices & Instruments
V. The Voice in the Middle Ages
20. Poetics as Technique
VI. Bowed Strings
21a. Vielle before 1300
21b. Vielle after 1300
22. Rebec
23. Symphonia
VII. Plucked Strings
24a. Harp
24b. Imagining the Early Medieval Harp
24c. Playing the Late Medieval Harp
25. Lute, Gittern, & Citole
[...]
26. Flutes
27. Reeds & Brass
28. Bagpipe
IX. Keyboard & Related Types
29. Organ
30. String Keyboards
31. Psaltery & Dulcimer
X. Percussion
32. Percussion
XI. Instrumental Usage
33. Untexted Repertoire
34. Improvisation & Accompaniment before 1300
35. Ornamentation & Improvisation after 1300
Part 3: Theory & Practice
XII. Essential Theory for Performers
36. The Gamut, Solmization & Modes
37. Musica ficta
38. Proportion
39. Notation & Editions
40. Tuning
Select Discography
Select Bibliography
Index
Part 1: Repertoire
I. Sacred
1. Chant
2. Organum
3. Motet & Cantilena
4. Polyphonic Mass Ordinary
II. Non-Liturgical Monophony
5. Introduction
6. Latin
7. Occitan
8. French
9. Iberian
10. Sephardic
11. Italian
12. German
13. English
III. Lyric Forms post 1300
14. French Ars Nova
15. Italian Ars Nova
16. Ars Subtilior
17. Early Du Fay
IV. Drama
18. Litugical
19. Vernacular
Part 2: Voices & Instruments
V. The Voice in the Middle Ages
20. Poetics as Technique
VI. Bowed Strings
21a. Vielle before 1300
21b. Vielle after 1300
22. Rebec
23. Symphonia
VII. Plucked Strings
24a. Harp
24b. Imagining the Early Medieval Harp
24c. Playing the Late Medieval Harp
25. Lute, Gittern, & Citole
[...]
26. Flutes
27. Reeds & Brass
28. Bagpipe
IX. Keyboard & Related Types
29. Organ
30. String Keyboards
31. Psaltery & Dulcimer
X. Percussion
32. Percussion
XI. Instrumental Usage
33. Untexted Repertoire
34. Improvisation & Accompaniment before 1300
35. Ornamentation & Improvisation after 1300
Part 3: Theory & Practice
XII. Essential Theory for Performers
36. The Gamut, Solmization & Modes
37. Musica ficta
38. Proportion
39. Notation & Editions
40. Tuning
Select Discography
Select Bibliography
Index
| Erscheinungsjahr: | 2002 |
|---|---|
| Medium: | Taschenbuch |
| Reihe: | Music: Scholarship and Perform |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780253215338 |
| ISBN-10: | 0253215331 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Ross W. Duffin |
| Redaktion: | Duffin, Ross W. |
| Hersteller: | INDIANA UNIV PR |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 240 x 180 x 32 mm |
| Von/Mit: | Ross W. Duffin |
| Erscheinungsdatum: | 29.03.2002 |
| Gewicht: | 0,906 kg |
| Erscheinungsjahr: | 2002 |
|---|---|
| Medium: | Taschenbuch |
| Reihe: | Music: Scholarship and Perform |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780253215338 |
| ISBN-10: | 0253215331 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Ross W. Duffin |
| Redaktion: | Duffin, Ross W. |
| Hersteller: | INDIANA UNIV PR |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 240 x 180 x 32 mm |
| Von/Mit: | Ross W. Duffin |
| Erscheinungsdatum: | 29.03.2002 |
| Gewicht: | 0,906 kg |
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