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A stunning account of racism, mob violence, and cultural responsibility as rendered by the poet Martha Collins
the victim hanged, though not on a tree, this
was not the country, they used a steel arch
with electric lights, and later a lamppost, this
was a modern event, the trees were not involved.
-from "Blue Front"
Martha Collins's father, as a five-year-old, sold fruit outside the Blue Front Restaurant in Cairo, Illinois, in 1909. What he witnessed there, with 10,000 participants, is shocking.
In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence-newspaper articles, census data, legal history, postcards, photographs, and Collins's speculations
about her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.
A stunning account of racism, mob violence, and cultural responsibility as rendered by the poet Martha Collins
the victim hanged, though not on a tree, this
was not the country, they used a steel arch
with electric lights, and later a lamppost, this
was a modern event, the trees were not involved.
-from "Blue Front"
Martha Collins's father, as a five-year-old, sold fruit outside the Blue Front Restaurant in Cairo, Illinois, in 1909. What he witnessed there, with 10,000 participants, is shocking.
In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence-newspaper articles, census data, legal history, postcards, photographs, and Collins's speculations
about her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.
Martha Collins is the author of four previous poetry collections, including Some Things Words Can Do, and co-translator of two volumes of poetry from the Vietnamese. She teaches at Oberlin College and lives in Oberlin, Ohio, and Cambridge, Massachusetts.
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781555974497 |
ISBN-10: | 155597449X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Collins, Martha |
Hersteller: | Graywolf Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 235 x 156 x 6 mm |
Von/Mit: | Martha Collins |
Erscheinungsdatum: | 30.05.2006 |
Gewicht: | 0,161 kg |
Martha Collins is the author of four previous poetry collections, including Some Things Words Can Do, and co-translator of two volumes of poetry from the Vietnamese. She teaches at Oberlin College and lives in Oberlin, Ohio, and Cambridge, Massachusetts.
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781555974497 |
ISBN-10: | 155597449X |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Collins, Martha |
Hersteller: | Graywolf Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 235 x 156 x 6 mm |
Von/Mit: | Martha Collins |
Erscheinungsdatum: | 30.05.2006 |
Gewicht: | 0,161 kg |