Fabrice Fitch, Jacobijn Kiel

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Preface - Fabrice Fitch and Jacobijn Kiel
Foreword: David Fallows and the Performance of Medieval Music -
Fremin le Caron at Amiens: New Documents - Rob C. Wegman
Ung Petit cadet: Verbal and Visual Play in the Wolfenbüttel Chansonnier - Jane Alden
A New Tenor on So ys emprentid - Bonnie Blackburn
Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report - Honey Meconi
Two musical letters from Aragonese Naples - Gianluca D'Agostino
Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions - Andrew Kirkman
Intermedio I: Yes, We Were Young... - Jaap van Benthem
Petrarch, Padua, the Malatestas, Du Fay and Vergene bella - Margaret Bent
A Suggestion about Fauxbourdon - James Haar
Du Fay's Plainsong Paraphrase Settings - Alejandro Planchart
With a Flourish: Melismatic Writing in Du Fay's Early Songs - Jesse Rodin
Portugaler: Guillaume Du Fay's contribution to instrumental music? - Lorenz Welker
A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15 - Kinuho Endo
Martini and Obrecht: Some Speculations - Joshua Rifkin
The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi - Thomas Schmidt-Beste
What Were They Thinking? Sola caret monstris at the Papal Court - Richard Sherr
A Gloria Newly Attributed to Byttering - Peter Wright
Intermedio II: Agricola VIII - Fabrice Fitch
A new song in a strange land? Garcimuños's Una montaña pasando - Tess Knighton
Isaac's pre-Italian songs: An over-optimistic hand-list - Warwick Edwards
Words and Music in the Sea of Long Waiting - Adam Knight Gilbert
'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur - Markus Jans
Three times seven Songs by Byrd - Oliver Neighbour
'I must complain': A Comparative Study in Variant Settings - Anthony Rooley
Heinrich Isaac and shifting musical perspectives, c.1485-1490 - Keith Polk
'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez - Jaap van Benthem
Surface, Structure and 'Style' in Absalon fili mi - John Milsom
Who Really Knows Who Composed Mille regretz? - Fabrice Fitch
Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye' - Jeffrey Dean
In pace in idipsum: a little-known motet attributed to Josquin - Eric Jas
Intermedio III: Verspätete Monologe - Brahms' Klavierstücke op. 116, 117, 118 und 119 - Peter Gülke
Confessional Companions: Herpol, Glareanus, and Friends - Matthew Laube, Reviews Editor
Credit for Music in Court and City in the Low Countries, 1467-1500 - Barbara Haggh
David musicus, or: On the consoling power of string music - Dagmar Hoffmann-Axthelm
The Laudes Musicae in Renaissance Music Treatises - Leofranc Holford-Strevens
The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch - Andrea Lindmayr-Brandl
The Perfect Spanish Chapelmaster: the Depiction of the Composer Ginés Pérez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra - Esperanza Rodríguez-Garcia
The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon - Eugeen Schreurs
The difference of early European music - Reinhard Strohm
List of Contributors
Principal publications of David Fallows