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This book innovatively combines traditional manuscript study with contemporary cultural game theory to show how the enigmatic fourteenth-century Middle English romance, Sir Gawain and the Green Knight, launches a multidimensional game with the reader in its unique manuscript context, Cotton Nero A.x. The authors argue that the poem positions the reader as a player who constructs meaning through the poem's multivalent games within games: the exchange-of-winnings game nested within the exchange-of-blows game, nested within the Christmas games of Arthur's court. The reader's agency especially comes to the foreground when one takes the gaming aspects of the manuscript layout into account. The varying placement of the bobs, along with other codicological aspects of MS Cotton Nero A.x, brings a meta-textual level of game into play, one that ultimately authorizes reading as a variable action. The authors conclude that fluid reading does not undermine the spiritual devotion evoked in the manuscript, but deepens it through the dialectic of game.
This book innovatively combines traditional manuscript study with contemporary cultural game theory to show how the enigmatic fourteenth-century Middle English romance, Sir Gawain and the Green Knight, launches a multidimensional game with the reader in its unique manuscript context, Cotton Nero A.x. The authors argue that the poem positions the reader as a player who constructs meaning through the poem's multivalent games within games: the exchange-of-winnings game nested within the exchange-of-blows game, nested within the Christmas games of Arthur's court. The reader's agency especially comes to the foreground when one takes the gaming aspects of the manuscript layout into account. The varying placement of the bobs, along with other codicological aspects of MS Cotton Nero A.x, brings a meta-textual level of game into play, one that ultimately authorizes reading as a variable action. The authors conclude that fluid reading does not undermine the spiritual devotion evoked in the manuscript, but deepens it through the dialectic of game.
Julie Nelson Couch is Professor of English at Texas Tech University and has published on Middle English poetry, including romances, apocryphal verse, and miracle poems, on Middle English manuscript contexts, as well as on children as characters and readers.
Kimberly K. Bell, Professor of English at Sam Houston State University, has published on Middle English manuscripts, examining their contents--including romances, saints' lives, and chansons de geste--while paying special attention to genre, narrative structure, and gaming features.
Couch and Bell have collaborated on studies of Havelok the Dane, Oxford, Bodleian Library, MS Laud Misc. 108, as well as on the gaming context of other Middle English romances.
Erscheinungsjahr: | 2025 |
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Genre: | Geschichte, Importe |
Jahrhundert: | Mittelalter |
Rubrik: | Geisteswissenschaften |
Medium: | Buch |
Inhalt: |
XIV
251 S. 7 s/w Illustr. 11 farbige Illustr. 7 b/w and 11 col. ill. |
ISBN-13: | 9781501518546 |
ISBN-10: | 1501518542 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Couch, Julie Nelson
Bell, Kimberly K |
Hersteller: | de Gruyter |
Verantwortliche Person für die EU: | Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, D-10785 Berlin, productsafety@degruyterbrill.com |
Maße: | 234 x 156 x 16 mm |
Von/Mit: | Julie Nelson Couch (u. a.) |
Erscheinungsdatum: | 30.06.2025 |
Gewicht: | 0,549 kg |