Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
In I Think I Am: Philip K. Dick, Laurence A. Rickels investigated the renowned science fiction author's collected work by way of its relationship to the concept and condition of schizophrenia. In Germany: A Science Fiction, he focuses on psychopathy as the undeclared diagnosis implied in flunking the empathy test. The switch from psychosis to psychopathy as an organizing limit opens the prospect of a genealogy of the Cold War era, which Rickels begins by examining Dick's The Simulacra and follows out with readings of Simulacron 3, Fahrenheit 451, The Day of the Triffids, This Island Earth, and Gravity's [...] Germany hosted the first season of the realization of science fantasy with the rocket at the top of this arc. After World War II, the genre had to delete the recent past and start again within the new Cold War opposition. Certainly the ancestral prehistory was still intact (in the works of, for instance, Jules Verne and H. G. Wells). At the bulk rate of its generic line of production, however, science fiction would thereafter become a native to the Cold War [...] study addresses the syndications of the missing era in the science fiction mainstream, the phantasmagoria of its returns, and the extent of the integration of all the above since some point in the 1980s. Rickels works through the preliminaries of repair that must be met in a world devastated by psychopathic violence before mourning can even be a need. While I Think I Am was the endopsychic allegory of Dick's corpus, Germany takes the corpus as a point of context for the endopsychic genealogy of the post-WWII containment and integration of psychopathy.
In I Think I Am: Philip K. Dick, Laurence A. Rickels investigated the renowned science fiction author's collected work by way of its relationship to the concept and condition of schizophrenia. In Germany: A Science Fiction, he focuses on psychopathy as the undeclared diagnosis implied in flunking the empathy test. The switch from psychosis to psychopathy as an organizing limit opens the prospect of a genealogy of the Cold War era, which Rickels begins by examining Dick's The Simulacra and follows out with readings of Simulacron 3, Fahrenheit 451, The Day of the Triffids, This Island Earth, and Gravity's [...] Germany hosted the first season of the realization of science fantasy with the rocket at the top of this arc. After World War II, the genre had to delete the recent past and start again within the new Cold War opposition. Certainly the ancestral prehistory was still intact (in the works of, for instance, Jules Verne and H. G. Wells). At the bulk rate of its generic line of production, however, science fiction would thereafter become a native to the Cold War [...] study addresses the syndications of the missing era in the science fiction mainstream, the phantasmagoria of its returns, and the extent of the integration of all the above since some point in the 1980s. Rickels works through the preliminaries of repair that must be met in a world devastated by psychopathic violence before mourning can even be a need. While I Think I Am was the endopsychic allegory of Dick's corpus, Germany takes the corpus as a point of context for the endopsychic genealogy of the post-WWII containment and integration of psychopathy.
Details
Erscheinungsjahr: 2015
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780990573333
ISBN-10: 0990573338
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rickels, Laurence A.
Hersteller: Anti-Oedipus Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 17 mm
Von/Mit: Laurence A. Rickels
Erscheinungsdatum: 01.09.2015
Gewicht: 0,443 kg
Artikel-ID: 108587671

Ähnliche Produkte