Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
Hating Jazz
A History of Its Disparagement, Mockery, and Other Forms of Abuse
Taschenbuch von Andrew S. Berish
Sprache: Englisch

37,45 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Produkt Anzahl: Gib den gewünschten Wert ein oder benutze die Schaltflächen um die Anzahl zu erhöhen oder zu reduzieren.
Kategorien:
Beschreibung
A deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place? Andrew S. Berish's Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz's complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual's taste in music may seem personal, but Berish's analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures. Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context-we react to music in certain ways because of who we are, where we are, and when we are.
A deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place? Andrew S. Berish's Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz's complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual's taste in music may seem personal, but Berish's analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures. Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context-we react to music in certain ways because of who we are, where we are, and when we are.
Über den Autor
Andrew S. Berish is associate professor in the Department of Humanities and Cultural Studies at the University of South Florida. He is the author of Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s, also published by the University of Chicago Press.
Details
Erscheinungsjahr: 2025
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780226838359
ISBN-10: 0226838358
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Berish, Andrew S.
Hersteller: The University of Chicago Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 215 x 139 x 16 mm
Von/Mit: Andrew S. Berish
Erscheinungsdatum: 12.03.2025
Gewicht: 0,3 kg
Artikel-ID: 130505941
Über den Autor
Andrew S. Berish is associate professor in the Department of Humanities and Cultural Studies at the University of South Florida. He is the author of Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and '40s, also published by the University of Chicago Press.
Details
Erscheinungsjahr: 2025
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780226838359
ISBN-10: 0226838358
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Berish, Andrew S.
Hersteller: The University of Chicago Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 215 x 139 x 16 mm
Von/Mit: Andrew S. Berish
Erscheinungsdatum: 12.03.2025
Gewicht: 0,3 kg
Artikel-ID: 130505941
Sicherheitshinweis

Ähnliche Produkte

Ähnliche Produkte