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Winner, 2023 Eisner Award for Best Comics-Related Book
Resurrection: Comics in Post-Soviet Russia traces the "kopecks to rubles" journey of Russian comics at the turn of the century. As the follow-up to José Alaniz's groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia's comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
Resurrection: Comics in Post-Soviet Russia traces the "kopecks to rubles" journey of Russian comics at the turn of the century. As the follow-up to José Alaniz's groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia's comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
Winner, 2023 Eisner Award for Best Comics-Related Book
Resurrection: Comics in Post-Soviet Russia traces the "kopecks to rubles" journey of Russian comics at the turn of the century. As the follow-up to José Alaniz's groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia's comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
Resurrection: Comics in Post-Soviet Russia traces the "kopecks to rubles" journey of Russian comics at the turn of the century. As the follow-up to José Alaniz's groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia's comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
Über den Autor
José Alaniz, a native of Edinburg, Texas, is a professor at the University of Washington specializing in Slavic languages, literatures, cinema, media, and comics studies. A celebrated author of fiction and comics, his recent works include Puro Pinche True Fictions (2023, FlowerSong Press), The Phantom Zone and Other Stories (2020, Amatl Comix), and The Compleat Moscow Calling (2023, Amatl).
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780814258217 |
ISBN-10: | 0814258212 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Alaniz, José |
Hersteller: | The Ohio State University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 16 mm |
Von/Mit: | José Alaniz |
Erscheinungsdatum: | 22.02.2022 |
Gewicht: | 0,437 kg |
Über den Autor
José Alaniz, a native of Edinburg, Texas, is a professor at the University of Washington specializing in Slavic languages, literatures, cinema, media, and comics studies. A celebrated author of fiction and comics, his recent works include Puro Pinche True Fictions (2023, FlowerSong Press), The Phantom Zone and Other Stories (2020, Amatl Comix), and The Compleat Moscow Calling (2023, Amatl).
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Allgemeine Lexika, Importe |
Rubrik: | Literaturwissenschaft |
Medium: | Taschenbuch |
ISBN-13: | 9780814258217 |
ISBN-10: | 0814258212 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Alaniz, José |
Hersteller: | The Ohio State University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 229 x 152 x 16 mm |
Von/Mit: | José Alaniz |
Erscheinungsdatum: | 22.02.2022 |
Gewicht: | 0,437 kg |
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