Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
33,95 €*
Versandkostenfrei per Post / DHL
Lieferzeit 2-3 Wochen
Kategorien:
Beschreibung
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
Über den Autor
Karl Hagstrom Miller
Inhaltsverzeichnis
Acknowledgments vii
Introduction 1
1. Tin Pan Alley on Tour: The Southern Embrace of Commercial Music 23
2. Making Money Making Music: The Education of Southern Musicians in Local Markets 51
3. Isolating Folk, Isolating Songs: Reimagining Southern Music as Folklore 85
4. Southern Musicians and the Lure of New York City: Representing the South from Coon Songs to the Blues 121
5. Talking Machine World: Discovering Local Music in the Global Phonograph Industry 157
6. Race Records and Old-Time Music: The Creation of Two Marketing Categories in the 1920s 187
7. Black Folk and Hillbilly Pop: Industry Enforcement of the Musical Color Line 215
8. Reimagining Pop Tunes as Folk Songs: The Ascension of the Folkloric Paradigm 241
Afterword: "All Songs is Folk Songs" 275
Notes 283
Bibliography 327
Index 351
Introduction 1
1. Tin Pan Alley on Tour: The Southern Embrace of Commercial Music 23
2. Making Money Making Music: The Education of Southern Musicians in Local Markets 51
3. Isolating Folk, Isolating Songs: Reimagining Southern Music as Folklore 85
4. Southern Musicians and the Lure of New York City: Representing the South from Coon Songs to the Blues 121
5. Talking Machine World: Discovering Local Music in the Global Phonograph Industry 157
6. Race Records and Old-Time Music: The Creation of Two Marketing Categories in the 1920s 187
7. Black Folk and Hillbilly Pop: Industry Enforcement of the Musical Color Line 215
8. Reimagining Pop Tunes as Folk Songs: The Ascension of the Folkloric Paradigm 241
Afterword: "All Songs is Folk Songs" 275
Notes 283
Bibliography 327
Index 351
Details
Erscheinungsjahr: | 2010 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780822347002 |
ISBN-10: | 0822347008 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Miller, Karl Hagstrom |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 233 x 155 x 25 mm |
Von/Mit: | Karl Hagstrom Miller |
Erscheinungsdatum: | 11.02.2010 |
Gewicht: | 0,553 kg |
Über den Autor
Karl Hagstrom Miller
Inhaltsverzeichnis
Acknowledgments vii
Introduction 1
1. Tin Pan Alley on Tour: The Southern Embrace of Commercial Music 23
2. Making Money Making Music: The Education of Southern Musicians in Local Markets 51
3. Isolating Folk, Isolating Songs: Reimagining Southern Music as Folklore 85
4. Southern Musicians and the Lure of New York City: Representing the South from Coon Songs to the Blues 121
5. Talking Machine World: Discovering Local Music in the Global Phonograph Industry 157
6. Race Records and Old-Time Music: The Creation of Two Marketing Categories in the 1920s 187
7. Black Folk and Hillbilly Pop: Industry Enforcement of the Musical Color Line 215
8. Reimagining Pop Tunes as Folk Songs: The Ascension of the Folkloric Paradigm 241
Afterword: "All Songs is Folk Songs" 275
Notes 283
Bibliography 327
Index 351
Introduction 1
1. Tin Pan Alley on Tour: The Southern Embrace of Commercial Music 23
2. Making Money Making Music: The Education of Southern Musicians in Local Markets 51
3. Isolating Folk, Isolating Songs: Reimagining Southern Music as Folklore 85
4. Southern Musicians and the Lure of New York City: Representing the South from Coon Songs to the Blues 121
5. Talking Machine World: Discovering Local Music in the Global Phonograph Industry 157
6. Race Records and Old-Time Music: The Creation of Two Marketing Categories in the 1920s 187
7. Black Folk and Hillbilly Pop: Industry Enforcement of the Musical Color Line 215
8. Reimagining Pop Tunes as Folk Songs: The Ascension of the Folkloric Paradigm 241
Afterword: "All Songs is Folk Songs" 275
Notes 283
Bibliography 327
Index 351
Details
Erscheinungsjahr: | 2010 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780822347002 |
ISBN-10: | 0822347008 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Miller, Karl Hagstrom |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 233 x 155 x 25 mm |
Von/Mit: | Karl Hagstrom Miller |
Erscheinungsdatum: | 11.02.2010 |
Gewicht: | 0,553 kg |
Sicherheitshinweis