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The Music of the Gothic
1789-1820
Taschenbuch von Emma Mcevoy
Sprache: Englisch

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Beschreibung
Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.
Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.
Inhaltsverzeichnis
1. Introduction; 2. Section one: 'various and enchanting powers': music in the Radcliffean romance; 3. Section two: 'no longer blended': rewriting Radcliffe's music; 4. Section three: Ann Radcliffe goes to the opera; 5. Section four: 'jolly friars tippled here': gothic drama as comic opera; 6. Section five: 'the captivation of an unearthly music': Michael Kelly, the castle spectre and remorse; 7. Section six: a 'change of strain': melodrama and the advent of gothic music; Bibliographies.
Details
Erscheinungsjahr: 2024
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Taschenbuch
ISBN-13: 9781009170376
ISBN-10: 1009170376
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Mcevoy, Emma
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 6 mm
Von/Mit: Emma Mcevoy
Erscheinungsdatum: 17.12.2024
Gewicht: 0,156 kg
Artikel-ID: 129361032
Inhaltsverzeichnis
1. Introduction; 2. Section one: 'various and enchanting powers': music in the Radcliffean romance; 3. Section two: 'no longer blended': rewriting Radcliffe's music; 4. Section three: Ann Radcliffe goes to the opera; 5. Section four: 'jolly friars tippled here': gothic drama as comic opera; 6. Section five: 'the captivation of an unearthly music': Michael Kelly, the castle spectre and remorse; 7. Section six: a 'change of strain': melodrama and the advent of gothic music; Bibliographies.
Details
Erscheinungsjahr: 2024
Genre: Importe, Lyrik & Dramatik
Rubrik: Belletristik
Medium: Taschenbuch
ISBN-13: 9781009170376
ISBN-10: 1009170376
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Mcevoy, Emma
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 229 x 152 x 6 mm
Von/Mit: Emma Mcevoy
Erscheinungsdatum: 17.12.2024
Gewicht: 0,156 kg
Artikel-ID: 129361032
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