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- A Note to the Reader
- Acknowledgments
- Part One
- Introduction to Part One
- 1. Things
- 2. Thinking with Things
- 3. Levels of Social Integration
- 4. Insistence
- 5. Superpositions
- 6. Impersonation
- 7. Enhancement
- 8. Apotheosis
- 9. Iconoclasm/Aestheticism
- 10. Media/Marginalization
- 11. Transition
- Bibliography to Part One
- Part Two
- Introduction to Part Two: Confessions of a Formalist
- 12. Still Invisible: The Problem of the Aesthetics of Abstraction for Pre-Columbian Art and Its Implications for Other Cultures
- 13. Identity and Difference: The Uses and Meanings of Ethnic Styles
- 14. The Portrait and the Mask: Invention and Translation
- 15. Aesthetics and Pre-Columbian Art
- 16. Andean Aesthetics
- 17. Three Aztec Masks of the God Xipe
- 18. Shamanism and North American Indian Art
- Index
- A Note to the Reader
- Acknowledgments
- Part One
- Introduction to Part One
- 1. Things
- 2. Thinking with Things
- 3. Levels of Social Integration
- 4. Insistence
- 5. Superpositions
- 6. Impersonation
- 7. Enhancement
- 8. Apotheosis
- 9. Iconoclasm/Aestheticism
- 10. Media/Marginalization
- 11. Transition
- Bibliography to Part One
- Part Two
- Introduction to Part Two: Confessions of a Formalist
- 12. Still Invisible: The Problem of the Aesthetics of Abstraction for Pre-Columbian Art and Its Implications for Other Cultures
- 13. Identity and Difference: The Uses and Meanings of Ethnic Styles
- 14. The Portrait and the Mask: Invention and Translation
- 15. Aesthetics and Pre-Columbian Art
- 16. Andean Aesthetics
- 17. Three Aztec Masks of the God Xipe
- 18. Shamanism and North American Indian Art
- Index
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